Fine Art

Utilizing a dialectical approach in both my studio practice and research, my aim is to move beyond the contemporary paradigm of postmodernism towards an artistic discourse that oscillates between a “modern enthusiasm and postmodern irony,” between unity and multiplicity, totality and fragmentation, clarity and ambiguity, and reason and romanticism. In my dissertation 'Reconciling the Irreconcilable' for the MA in Art & Science program at Central Saint Martins, I outline the contemporary artistic and philosophical theories, metamodernism and romantic naturalism, which motivate my explorations into the consilience of art and science. Following philosopher of science Karl Popper's notion of 'permanent revolutions,' my body of work is intentionally eclectic, and I work with an increasing variety of mediums and methodologies. My artwork often deals with topics ranging from astronomy, cosmology, physics, and neuroscience, to epistemology, mythology, metaphysics, science fiction, and the science of ‘belief.’