The New Yorker: Cathedral of Time

Thomas Glynn, a deceased novelist, was fascinated by the lives of forgotten men in Dannemora prison and believed one could find salvation in solitude. Art Directors: Aviva Michaelov and Claire Merchlinsky

Project Roles
Illustrator
Company
The New Yorker
Skills
Adobe Photoshop, Traditional / Hand-drawn
Media
Illustrations
The New Yorker: Cathedral of Time
Support